PAUL McCARTNEY
McCartney
[Capitol - 1970]
Recorded mostly at home as his first formal post-Fabs musical statement, it was the recipient of scathingly negative reviews but managed to reach and stay at the top spot of the charts for three weeks in the US. (It peaked at #2 in the UK.) The passage of time, however, has been kind to this one: these days it’s remembered as the first of his lone-man trilogy of solo albums and has earned much critical re-evaluation in the decades since it appeared, not to mention being regarded as an influence on the lo-fi/DIY movement. (It’s considered the first “indie” album by the man himself.)
Despite being the antithesis of the, in comparison, elaborate and ornate ‘Abbey Road’ (which was the bulk of the negative critiques this one garnered), the homespun charm of this collection of songs has caught the ear of quite a few of his musical peers and descendants, who have voiced their fondness for it over the years, including the likes of Neil Young and Paul Weller. (Even the shit-stirring grouches at Pitchfork like this one!)
Sadly, while its release date coincides with the death of his beloved wife—who passed away on this date in 1998—I like to think the album’s airy and delicate opening track, “The Lovely Linda” and the aforementioned “Maybe I’m Amazed”, of course, are wonderful reminders of the anchor who kept him from going adrift at this time in his life. And for many years to come.
In
late September 2020, the album got a deluxe 50th anniversary reissue
three months before the release of ‘III’, the third installment of his
solo trilogy.
Released April 17, 1970.