[BMG US Latin-1995]
Despite what could be described as a cross between the dark yet accessible electronica of Depeche Mode’s Violator [Warner Bros-1988] and the panoramic soundscapes of U2’s Achtung, Baby [Island-1990], the band’s sixth studio album Dynamo [Sony-1992] failed to ignite the expected enthusiasm from either their fanbase or the rock en español crowd in general. (Lukewarm reception aside, the album is a shoegazer touchstone in Latin America.)
But a worthwhile plateau had been reached: the use of a more modern and expansive palate had yielded significant musical dividends. And with the lessons learned—as well as the further groundwork laid by Amor Amarillo [BMG-1993], the solo debut album by frontman Gustavo Cerati—there would be plenty to work with next time out.
Studio album number seven turned out to be their swan song, but what a way to go—electronica-treated, Beatlesque guitar pop, flawlessly performed, recorded and produced; a heady, spacey mix of 21st century rock and roll half a decade early, yet arriving not a moment too soon. (The album’s title translates as “stereo dream” and it couldn’t be more appropriate.)
Not only the band’s best but one of the finest rock records ever recorded in Spanish. Released August 15, 1995.
Highlights: “Ella Uso Mi Cabeza Como Un Revolver”, “Disco Eterno”, “Zoom”, “Ojo de la Tormenta”, “Paseando por Roma”, “Planta”.