7/16/2020
7/13/2020
Today in Music History (July 13)
1985 - The Live Aid benefit concerts take place simultaneously at Wembley Stadium in London and JFK Stadium in Philadelphia. Among the featured artists were David Bowie, Duran Duran, Hall & Oates, Elton John, Madonna, Paul McCartney, Tom Petty and the Heartbreakers, The Pretenders, Queen, Run-DMC, Sting, U2, and The Who. (Thanks to the time zone differential between London and Philadelphia, Phil Collins was able to perform at both shows.) More than 170,000 attended the concerts (72,000 in London; 100,000 in Philadelphia) and approximately 1.9 billion people, across 150 countries watched the live broadcast. It raised close to $200m.
Today’s Birthdays include...The Byrds’ vocalist/guitarist Roger McGuinn (78); the legendary Cheech Marin (73); Dictators/Twisted Sister bassist Mark "The Animal" Mendoza (65); and screenwriter/film director/music journalist/honorary musician Cameron Crowe (63).
7/12/2020
Today in Music History (July 12)
1954 - 19 year old Elvis Presley signs with Sun Records.
1962 - The Rolling Stones play their first ever show, at London’s Marquee Club, with Dick Taylor on bass (later of The Pretty Things) and Mick Avory on drums, (later of The Kinks). Billed as The Rollin’ Stones, they were paid £20 for the gig (a little more than $500 in 2019 money).
1964 - The Beatles' legendary Ed Sullivan Show appearance from February 9th, is re-broadcast for the first time.
1979 - Singer/songwriter Minnie Ripperton dies of cancer at age 31. Aside from her solo career she'd worked at Chess Records singing backup for various artists such as Etta James, Fontella Bass, Bo Diddley, Chuck Berry and Muddy Waters, sang lead for the esteemed rock/soul outfit Rotary Connection, and was also a member of Wonderlove in 1973, a backup group for Stevie Wonder. In addition, she was the mother of actress/musician Maya Rudolph.
1988 - Michael Jackson arrives in the UK for his first ever-solo appearances. He performs a total of eight nights to 794,000 people.
Today’s Birthdays include...Fleetwood Mac vocalist/keyboardist Christine McVie (77); guitarist Wilko Johnson of Dr. Feelgood fame (73); singer/songwriter Walter Egan (72); drummer Simon Fox—BeBop Beluxe, Pretty Things, Trevor Rabin—(71); former Soul Asylum guitarist Dan Murphy (58); Tim Gane, guitarist for Stereolab (56); and guitarist John Petrucci, founding member of Dream Theater (53).
7/09/2020
7/06/2020
Today in Music History (July 6)
1957 – Paul McCartney first meets John Lennon at a Liverpool church festival concert by John's group, the Quarrymen.
1965 – Marty Balin starts recruiting members for the band that will become Jefferson Airplane.
1971 – Louis Armstrong dies of a heart attack in his sleep in Corona, Queens, New York, a month shy of his 70th birthday.
1973 – “Keep Yourself Alive”, the first single and opening track from Queen’s self-titled debut album, is released.
Today’s birthdays include…original Santana drummer Mike Shrieve (71); singer/songwriter Nanci Griffith (66); Spandau Ballet drummer John Keeble (61); and rapper 50 Cent (45).
7/05/2020
Today in Music History (July 5)
7/04/2020
4th of July
Don't feel like celebrating. Not with 130K+ lost souls and a country on the brink of implosion. So this song captures my mood in that regard perfectly.
"...'cause I heard in the wind/and I saw it in the sky/and I thought it was the end/I thought it was the 4th of July..."
7/02/2020
Today in Music History (July 2)
7/01/2020
25 [Lost] Power Pop Gems
First of all, it’s not meant to be definitive. At all.
Secondly, quite a few of the artists on the list are not of the power pop persuasion, but their entries here most definitely are. By my definition, at least. Which brings us to…
Power pop, as I see it, is a balance of both factors. This gets me in trouble with purists who, for instance, love The Shoes, who I consider too much pop and not enough power. But thems the breaks.
Also, these 25 tracks are all, with 2 exceptions, from the ‘90s and beyond. Make of that what you will.
Finally, I have omitted such power pop touchstones as Badfinger, Big Star, Jellyfish, The Posies, Raspberries, and Matthew Sweet but have included songs by some former members of their ensembles. Often, the mothership gets (all) the love and I wanted to spread it around.
And so, in alphabetical order by artist...
RYAN ADAMS “PS”
He has covered plenty of ground, so a bit of power pop is no surprise.
JON AUER “The Perfect Size”
The Posies’ co-frontman goes completely solo with the exception of the late Darius Minwalla on drums and it’s a more than worthy excursion.
CHRIS BELL “I Am the Cosmos”
The defining solo statement from the late Big Star co-leader.
BRENDAN BENSON “I’m Blessed”
Best known as a Raconteur, his catalog is rich in melodic, rocking gems. This one is from his debut album and was co-written by Jason Falkner.
CAFE TACUBA “53100”
Since it was Pete Townshend who coined the term “power pop”, it’s more than apropos that Mexico City’s premiere art rockers appear here with a Who-influenced tune.
WES CUNNINGHAM “Only You Know”
A gifted songwriter whose lack of commercial success led him to stop making records and turn to jingles instead. A music biz crime if there ever was one.
JASON FALKNER “I Live”
A talented multi-instrumentalist and former Jellyfish guitarist with a respectable solo career of his own.
FASTBALL “Emily”
Tasty slice of punky power pop from these Texas rockers.
GIGOLO AUNTS “Mr. Tomorrow”
Another coulda/shoulda/woulda…their key members are now songwriters for Hollywood films. This is from their final album, released in 2002.
JOE JACKSON “Tonight and Forever”
Like Adams, he’s covered a lot of musical ground, albeit in slightly different directions. This one is par for the course, tho.
JUMBO “Siento Que”
A powerful anthem of longing and love on its last sighs that would subsequently come to define the Monterrey, Mexico rockers' sound.
KARA’S FLOWERS “Myself”
The initial, commercially failed version of Maroon 5 before they changed their name and added another guitarist. I prefer this incarnation.
THE KATIES “Noggin’ Poundin’”
Without a doubt the hardest rocker on this list but its Cheap Trick-influenced vibe won it a spot.
THE LEMONHEADS “Poughkeepsie”
Evan Dando knows his way around a melody and he’s been known to rock out. Here he does both.
MATERIAL ISSUE “Diane”
Power pop lovers know this long gone beloved Chicago outfit quite well but, like all of the artists listed here, they should be even better known.
THE MERRYMAKERS “Troubled Times”
Produced by Jellyfish honcho Andy Sturmer, this one is simply Swedish ear candy bliss.
MYRACLE BRAH “Eleven”
Andy Bopp is a master at crafting hooks and melodies and deserves to be a household name, damn it!
NADA SURF “Happy Kid”
Brooklyn in the house! They went from almost MTV one-hit wonders to one of indie rock's most reliable purveyors of guitar pop and this is why.
OWSLEY “Oh No, The Radio!”
William Reese Owsley [1966-2010] was simply a brilliant popsmith who left us way too soon. It’s a point of personal pride that I have turned into a fan everyone I’ve played his music for over the years. But it’s way more about how awesome he was than my hard sell.
THE SHAZAM “Getting Higher”
Underground power poppers from Nashville with a string of great but unknown albums under their belt.
SUMMERCAMP “Should I Walk Away?”
Think Descendents with Beach Boys harmonies. Um, yeah.
LOS TRES “Feria Verdadera”
Chile’s premiere cult band have been rock royalty in their homeland and in Mexico—Café Tacuba paid tribute by recording an EP of their songs—for decades.
12 RODS “Marionette”
Produced by Todd Rundgren, the band’s third release got itself hammered by Pitchfork, who gave their terribly overrated debut a 10.0 rating. It’s all good, sometimes great and P4K was wrong both times. What else is new?
VELVET CRUSH “Hold Me Up”
Started by longtime Matthew Sweet drummer Ric Menck in 1989, with a similar sound to that of Menck’s on-and-off boss (who produced their debut album), they have been on hiatus since 2004 but reunited briefly in 2019.
THE WRENS “Dance the Midwest”
A different batch of New Jersey misfits with a taste for chaos. In this case, the angular power pop of this tune.
5/01/2020
The Gates of Delirium: Why Do Clueless Gatekeepers Fumble at the Gates and Keep Their Jobs?
And it’s not just sitcoms: the vast majority of classic and/or hugely successful books, movies, music and TV dramas have a common origin story of repeated rejection by the gatekeepers who are supposed to recognize quality or, at the very least, commercial potential. Sure, there are variables out there: an executive or company may pass on something because they’d rather not be associated with a certain project due to sensitivity or tone, for instance. Which is why I don’t blame them so much for the bad ideas they greenlight as much as I do for passing on the ones that are obviously great and/or blockbusters. I mean, unqualified people running key departments where careers are made or hindered? Ridiculous.
So why is it so common? Or rather, why is it an established part of the arts and commerce nexus? Sadly, I think it’s a crap shoot. In other words, in the most simplistic but probably accurate of terms, if you manage to claw your way to the top of the ladder and get lucky with a couple of hit projects, you get to keep your job and have those successes be the key part of your resumé. For a while, at least. If not, like Denzel Washington in Philadelphia, can someone explain it to me, like I'm a six year old?

